Latest News . . .

15.05.12
Olympia 2012 Stand G24
With the Olympia Fine Art and Antiques Fair around the corner, Clerkenwell Fine Art are collecting together a large range of stock spanning most genres for our new stand (G24) at this years fair ...
Read More

15.05.12
Jo March - Journeys update
Clerkenwell Fine Art would like to thank everybody who made it to Jo March's first show with Clerkenwell as it was a great success ...
Read More

Home | Victorian | Robert McGregor RSA | Mending the Nets

Mending the Nets

Click image to enlarge

Robert McGregor RSA

Mending the Nets

  • Date:
  • Medium: Oil on Canvas
  • Height: 49cm (19.25")
  • Width: 75cm (29.5")

Born in Bradford, Yorkshire, Robert McGregor was the son of a Scottish businessman. The McGregor family returned to Scotland whilst Robert was still a young boy and settled in Edinburgh. Despite having no art training, McGregor was employed by a firm of publishers as a book illustrator and it was around this time that an unknown French artist gave him lessons in painting and draughtsmanship. He subsequently enrolled at the Royal Scottish Academy Life schools and exhibited for the first time in 1873 when he was only twenty-six. He continued to exhibit at the RSA until 1914 and showed a total of two hundred and three pictures.

McGregor made frequent visits to France and Holland; particularly Normandy where, Bastien Lepage and Millet, he was inspired by the lives of the fishermen and their families, particularly the female workers, as they went about their work collecting kelp, cockles and shrimps. Painted in the beautiful silvery tones for which McGregor became renowned, 'Mending the Nets' is a superb example of his work.

The eminent Scottish art historian James Caw wrote of McGregor as "Perhaps the first Scottish genre painter to apply rigorous study of tone in his work; a capable draughtsman and pleasant, if restricted, colourist and although he has learned much from some of his modern Dutchmen, his pictures have an individuality and sentiment of their own."

Peter McEwan praised McGregor's use of subdued, refined colour in his Dictionary of Scottish Artists; "At the beginning he was most interested in tone but instead of combining it with full local colour, he preferred quiet values and the gentler more subtle light of the Dutch coast."

View more images ...

Other Artwork you may like . . .

    If you like this, you'll love

    • Mermaid
    • Spring Blossoms
    • The Stile